A very in-depth interview has been posted up at You Ain’t No Picasso, with thoughts on Skeletal Lamping, and how it marks a break with the past. Find out what Alabee’s favorite song is, why “Feminine Effects” didn’t make the final cut, and more. All I can say is, “35 minutes worth of [unreleased] material”? That’s not an EP, that’s a second album. I want to hear it. Read the whole interview here.

From Billboard:

Divorce and mental illness are not often hallmarks of danceable indie rock records, but they played a big part on Of Montreal’s critically acclaimed 2007 release, “Hissing Fauna, Are You the Destroyer?”

On “Skeletal Lamping,” due Oct. 7 via Polyvinyl, “I’ve tried to incorporate more tension and dissonance, while still maintaining a super poppy sound,” group leader Kevin Barnes tells Billboard. “I think the album is more bipolar than schizophrenic, though. I guess it represents its author more closely in that way.”

Barnes says “Beware Our Nubile Miscreants” is “the most wicked thing I’ve ever written,” while opener “Nonpareil of Favor” “definitely goes somewhere musically that is totally unlike anything I’ve ever done before.”

For Barnes, delving into deeply personal topics has become something of a therapeutic outlet. “I start to feel unbalanced if too much time passes without me being able to record,” he says. “I need to shut out the world and disappear into the void. In a way it is like meditation. It definitely gives me a sense of value too. Even if other people hate what I create, as long as I like it, I’m fine. The new record doesn’t deal with as many romantic or psychological issues. It is a very personal record still. It is more sexual and frisky than ‘Hissing.’”

In a recent MySpace posting, Barnes expressed worry that “some people are going to misunderstand” the new album, but he now says he was more concerned about “the sort of ‘recreational’ Of Montreal fan. I’ve decided that I’m not going to even bother with them. Some of the lyrical content on ‘Skeletal Lamping’ might be considered a bit lewd, insulting or creepy by an easily offended listener. This record is only for broad-minded people, who like to dance, make love and freak the f*ck out. It’s not for most inanimate objects.”

Barnes is now preparing to unveil the new material in a live setting. An international tour is on tap for around when “Skeletal Lamping” hits stores, after which, “We’ll take a little break over the holidays and then do it again. We’re going to be attempting some new theatrical things this time and we’re adding another musician to the live band. I’m looking forward to the madness.”

Static Television features an interview with B.P. Helium in the latest episode.

The first part is featured at the 14:00 mark, in which he talks about his time with the band, touring, and the original 60’s influence of the early records. This is followed by the David Barnes-directed Gronlandic Edit video.

The second part is at the 31:45 mark, and BP discusses modern influences and the current stage show. Then live footage of Rapture Rapes the Muses is shown.

Thanks to cirrocumulus for the head’s up!

The April 22nd Paste Magazine Culture Club podcast features, at the 29:12 mark, a brief interview with Kevin’s mom.  It’s Episode #67.  Thanks to Houch for the head’s up. 

check out this interview kevin did with paste magazine while he was in Austin at SXSW 2008.

From the HIP Clip, here’s Kevin discussing the creation of the new “Gronlandic Edit” video. Thanks to The Booty Patrol.

There’s a new interview with Kevin up at Pitchfork.  Lots of Hissing Fauna discussion, some interesting talk about musical personas, and a hint of what’s to come…